East Lynne Theater Company Tickets. Cape May, NJELTC’s popular vintage- radio style production, complete with live sound effects and commercials, with two mysteries back- to- back on the same night, with the cast of six going from Holmes’ Victorian England, to Carter’s Manhattan during World War II. The scripts are Sherlock Holmes Adventure of th.. Fri, Nov 6 2. 01. PM — Sat, Nov 5 2. PMCape May, NJPUT ON YOUR COSTUMES OR MASKS AND SPEND HALLOWEEN WITH US! This is the final performance of our 2. TALES OF THE VICTORIAN’s series and refreshments will be served. Sat, Oct 2. 4 2. 01. PM — Sat, Oct 2. 2 2. PMCape May, NJRichard Kurt asks internationally known portrait painter Marion Froude to write her autobiography for his magazine. The prospect dismays a former lover, Leander Nolan from Tennessee wh.. Lynne Kresge was a high-ranking foreign policy and crisis management advisor to President David. So often when we talk about food we are talking about family. In fact that was how the hungry writer blog began, nearly six years ago: weekly memories or life stories. Wed, Sep 2. 1 2. 01. PM — Sat, Oct 1. 5 2. PMCape May, NJEast Lynne Theater Company (ELTC) is a proven destination for theater lovers who crave the adventure of discovery! Even Lucy Seward, the daughter of the psychiatrist in charge of the local sanitorium, is behaving strangely. Her mysterious oddities are noticed by Jonathan Harker, the man who loves her, and her father .. Wed, Jul 2. 7 2. 01. PM — Sat, Sep 3 2. PMCape May, NJBill Canfield, Jr., a college student played by Buster Keaton, would rather play his ukulele than be captain of a steamboat, much to his father’s disappointment. Another steamboat captain in town has a far better boat than Bill Canfield, Sr., and will do anything to attract clientele. As the feud.. Sunday, August 7 2. PM — 1. 0: 0. 0 PMCape May, NJRodgers' Romance (NJ Premiere) is a musical revue of songs with music by Richard Rodgers and lyrics by Lorenz Hart and Oscar Hammerstein. It includes some of the best known theater songs from this canon, presented in an inventive format that breaks the fourth wall, engaging the hearts and minds o.. Wed, Jun 1. 5 2. 01. PM — Sat, Jul 2. 3 2. PMCape May, NJOUR 2. SEASON Season Tickets: 4 shows for only $8. East Lynne is a city in Cass County, Missouri, United States. The population was 303 at the 2010 census. The name was derived from a novel. Lynne Cunningham, contemporary California artist. Contemporary art and textiles. Exhibiting in northern and southern California, represented in galleries. Andrew Maunder’s introduction to his new edition of Ellen Wood’s chronicle of scandalous goings-on among the Victorian middle classes claims that East Lynne may. Alert Plumbing Supplies (pty) Ltd is located in East Lynne offering the best service in Pretoria. Found on S.A's most popular online business Directory. Ticket prices for 2. Please call the thea.. Fri, Nov 2. 7 2. 01. PM — Thu, Jun 3. 0 2. By bringing the American Spirit to the stage. Derdepoort Pharmacy & Medicine Depot is located in East Lynne offering the best service in Pretoria. Found on S.A's most popular online business Directory. For over 110 years NEP has been providing North Eastern Pennsylvania with the best in Telecommunication and Technology. From low priced bundled services including TV. Yet it was spectacularly successful in its day, and its popularity has turned out to be more durable than that of most publishing sensations. Newly literate novel- readers in the mushrooming industrial cities consumed it with fervour; but the austere Harriet Martineau liked it too, as did General Gordon, Joseph Conrad and Edward VII. Its appeal spread far beyond British readers. Narayan dwells fondly on the . Maps of directions of East Lynne NSW, 2536 for locals and travellers. Easy to use driving directions. Abandoned and tormented with remorse, she is involved in a railway accident and left for dead. She then returns to her former home, unrecognisable because of a scarred mouth, a sorrow- stricken air and blue spectacles, and acts as governess to her own children. Her son dies without knowing who she really is (her expression of understandable agitation, ! And never called me mother,’ which remained a popular gag with music- hall comedians well into the 2. After this cruel blow she falls into a decline, but refrains from revealing herself to her husband until she is at her last gasp: . I looked for books that would leave me crushed at the end.’Narayan’s own novels, fast- moving and domestic, owe much to Victorian fiction – Marie Corelli was another favourite. But they do not depend on the extravagant sequences of incident that keep the reader constantly diverted in Wood and Corelli. Nor do they supply religious exhortation in such generous quantities. For all its sensationalism, the writing of Ellen Wood (or Mrs Henry Wood, as she preferred to call herself) is unremittingly moral in tone. The characters are constantly held up to judgment, human and divine. Isabel’s repentant demise is followed by a final chapter of explicit moral directive – . If so, she was mistaken. Contemporary reviews of sensation fiction, now often better known than the novels themselves, were inclined to dwell on its baleful influence. Its preoccupation with crime was decried as . In the conservative Quarterly Review, Henry Mansel took a fastidious line: . East Lynne was the most fashionable of all. Its publishers, who had little reason to take the cavils of reviewers seriously, claimed 5. It was the talk of the day soon after its appearance in 1. Times was an influential exception), sales remained buoyant. Stage adaptations followed with surprising speed – the first in New York in 1. British version in 1. In 1. 90. 9, the Pictorial Leader claimed that ? The emotionalism that Narayan enjoyed was part of its appeal. Open bids for the reader’s sympathy are unrestrained – ! To be his once more; his, with the past blotted out.’ Yet much of the narrative is unexpectedly down to earth, concerned with money, houses, clothes, food, the day- to- day business of life. Making tea is important, so too is office work. This is not the crumbling and fantastic setting of Gothic fiction. The Victorian middle classes – or would- be middle classes – could recognise their virtues and aspirations in these pages. It is no accident that Sir Francis Levison, the novel’s theatrical villain, who is systematically punished and degraded in the book’s concluding sections, is a white- handed aristocrat, distinguished by the brilliant diamonds that he wears at all times. Isabel’s history reinforces the point. The over- protected daughter of a lord, she is reduced to the status of a servant, and her downfall is attributed to the deficiencies of her upbringing. East Lynne is saturated with class- consciousness, and as in all of Wood’s fiction, gentility, and the need to preserve it, is a preoccupation. But gentility is not identified with inherited wealth. The privileges of a gentleman must be earned as Isabel’s prosperous husband Archibald Carlyle earns them – through steady toil. His second wife, the trying and triumphant Barbara Hare, is less grand than Isabel, but she has more common sense. Her devoted ordinariness is what fits her for marriage with the up- and- coming Carlyle. Isabel is doomed from the moment she enters the novel, gleaming with pearls and lace – . Her disgrace is in part the long overdue defeat of her class. So far, so wish- fulfilling. But East Lynne is a more anxious and layered novel than its preposterous plot might suggest. Some of these complexities are autobiographical. Mrs Henry Wood was born in 1. Ellen Price, the daughter of an affluent glove- manufacturer in Worcester. The family was cultivated and devout, endowing Ellen with the ardent Anglicanism that coloured all her work. Her grandmother was largely responsible for her early upbringing, and her closest relationship as a child seems to have been with her grandmother’s housekeeper, Mrs Tipton – remembered for her commendation of a local cemetery (! What a healthy bracing spot for a churchyard!’). Ellen developed a spinal curvature that made her an invalid for the rest of her life. Nevertheless, she married and had five children. She never forgot the daughter who did not, and the loss of the child is re- enacted in novel after novel. Like many of the most vigorous and productive women novelists of the period (Margaret Oliphant, Frances Trollope, Mary Ward, Julia Kavanagh), Ellen Wood wrote to support her family. The preoccupation with the precariousness of health and fortune that haunts her fiction was the product of experience. Unexplained decline and death is a common plot device. It is easy to smile at the narrative convenience of these obscure illnesses, but Wood’s much- loved grandfather, the foundation of the family’s fortune, died just as many of her characters do – of an illness which . Debt, disease and death are always just around the corner. Wood’s characters live in a world whose capriciousness is quite sufficient to account for their inclination to throw themselves regularly and vociferously on the mercy of God. Correspondence shows her to have been a determined woman, by no means slow to press her own professional interests. She kept a sharp eye on the production and promotion of East Lynne, as edition followed edition. A daughter of the commercial classes, she was particularly keen that no expense should be spared on its advertisement: . In her novels, however, particularly East Lynne, characters are rarely quite what they seem, and there’s plenty of secrecy, spying and misunderstood eavesdropping. Everyone is on the watch, obsessively garnering information which is then almost always misinterpreted. Servants’ eyes, especially, are everywhere. The disguised Isabel fears their detection more than that of her husband and children: and it is her servant Joyce, more loving, faithful and forgiving than her family, who eventually realises what is behind the blue glasses – though of course she hides what she knows, like everyone else in the novel. Bad servants, like the irrepressibly self- interested Afy (short for Aphrodite) Hallijohn, imitate their employers; inadequate employers might end up as servants themselves. The categories shift and waver even as Wood insists on their fixity. Socially mobile Victorians, dogged by uncertainty, recognised among the teacups of East Lynne a world that expressed their deepest fears. Competitive relations between the sexes and between the generations deepen the novel’s unease. The sharp satirical intelligence underlying Wood’s conservatism reflects a society at odds with itself. Because she is a lady, Isabel has little to do; her idleness encourages the brooding that leads to the loss of her claims to a lady’s position. Older women are hostile to her, largely because she is admired by men, and miss no chance to undermine her position. Corrosive jealousy is among the commonest emotions in this fevered society. Fathers are hasty and unreliable, with their sons as well as their daughters, and are prone to sending their children away from the family – just as Wood had been unaccountably exiled to her grandparents’ home as a little girl. East Lynne has a lively subplot in which Barbara Hare’s brother, wrongly accused of murder, finds his most implacable pursuer in his own bad- tempered father. Betrayed by lover and friend, young Richard Hare endures a banishment that typifies victimhood in sensation fiction. Spouses, especially, are not to be trusted. Bigamy is among the most savoured themes of sensation novels, as a contemporary reviewer wryly noted: . But bigamous marriages had menaced the innocent long before then. Jane Eyre had a narrow escape in 1. Some of the zeal with which novelists seized on the theme grows out of the instability, social and geographical, of the period. This was the age of the railway, which made cheap mass transport available for the first time. People moved more freely if less safely – Isabel’s near- fatal train accident is an expression of another common contemporary concern. It became rarer to know every antecedent of bride and bridegroom. Uncomfortable surprises must sometimes have followed, as new partners showed themselves to be less capable (like Henry Wood), poorer, shiftier, or occasionally more married, than they had seemed to be. Sensation novels embodied an important lesson for readers learning to cope with changing social dynamics. To judge by appearance is hazardous, even in the most intimate family circumstances. Persistent scepticism and a spirit of hard- headed enquiry is always needed. Like Wilkie Collins or Mary Braddon, Ellen Wood makes detectives of her readers. East Lynne is not precisely a . Archibald Carlyle has divorced Isabel, and believes her dead, before his remarriage. But the dramatic situation in the novel’s concluding sections derives its emotional edge from the implication of bigamy. When Carlyle finally recognises his wife, the . Yet he is narrow- minded and dull- witted, and our sympathy is firmly directed towards the condemned adulteress. The ever- shrewd Margaret Oliphant argued that this tactic was both the charm and the threat of sensation fiction in general, and this novel in particular: . Her virtuous rival we should like to bundle to the door and be rid of anyhow . Ellen Wood knew how to satisfy the market.
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